With Daniela Cascella
Date: Wednesday June 18th, 2014
Time: 6:00pm (duration approx. 40’00” with informal discussion to follow)
Venue: LCC, Elephant & Castle
Directions

Borders.
A temporary arrangement of fragments. Listening and reading across the borders of sounds, films and words.

talk, listen, door 1

Talk/Listen/Door.
Listen between talk and door. The attention dwells on the peripheral—accidents, detours of thoughts—rather than any assumed core, up to the point when the very core of my listeningreading-into-writing becomes what is normally deemed peripheral. I seek to reclaim the intermittent incoherence in listening and reading, and to move through their residual presence into a marginated writing that is edge, horizon, fuga.

running_deadly

Sonic Doom.
Between euphoria and dysphoria, histories of listening into reading into writing and back. Beginnings that begin nothing. Words after sounds that allude to a meaningful absent: troubled, they point at something else but are uneasy with regards to the shape and movement of that at.

It is either too much or not enough for these words. I write them as they lose their connections with habits.

I write them as I read in Pierre Janet:
I heard that, and it sounded like the end of the world.

I write them as I read Clarice Lispector:
I am not transmitting to you a story but just words that live from sound.
I’ll keep talking to you and taking the risk of disconnection.

I read them and sometimes I broken-chant them aloud.

The voice, little as I had yet heard of it, had something curiously still and mechanical in its tones, and the utterance was remarkably rapid.
Wilkie Collins, The Woman in White.

http://enabime.wordpress.com
http://www.danielacascella.com